The pictures here show the major stages in the construction of a Zuckermann Italian III harpsichord kit. This was built in 2006, but adjustment of voicing goes on to this day. This kit is no longer available I believe and is not for the faint-of-heart. It needs a lot of precision in woodwork to get the case jointing and fitting of the moldings right. There is no chance of hiding errors under a layer of paint. Framing

Here we are, fixing the top framing of the bent side to the knees which are screwed to to the bottom.. The "horse" or wrestplank assembly is complete and the keyboard has been test fitted on its frame and laid in place. The bottom of the case had shrunk considerably in storage and was narrower than the horse; it was built out in the treble end with a thin strip of suitable wood.



BentSideDefinitely the most nerve-wracking operation - glueing in the bentside. You have about 10 minutes to get the bentside clamped and nailed in place, when it is coated with slippery glue. Meticulous preparation is needed to make sure it fits exactly between the cheek and the tail, which are glued in place first. The bentside needs to snap in between those parts with essentially zero tolerance. Every clamp in the house was commandeered - the Zuckermann supplied clamps did not seem quite up to the task by themselves.





MouldingsGlueing on moldings - of which there are several miles, with lots of exposed miter joints to get dead right. Note the use of high-tech clamping technology.


Case CompleteHere, the case is close to complete and has been tidied up. (It would be a mistake to leave bits of loose wood or tools inside when fixing in the soundboard). Note the knees, and battens and struts which form the framing in this model of harpsichord. The nameboard has been trial fitted, as have the registers for the jacks.






KeysKeys in their rough state. There is quite a lot of repetitive sanding to make the keys agreeable to the touch. This picture shows the short-octave arrangement in the bass where the back of the lowest chromatic key plays F# and the front plays D. G# and E share the next chromatic key. This was done to save space on old Italian harpsichords.



KeyBoardLaying the keys into the keyframe and regulating their spacing and position. The keys sit on felt bushings and their travel is limited by strips of wool cloth for silent action.











SoundboardGlueing in the soundboards. There is a little soundboard over the wrest-plank to add resonance, which is being glued here. The main soundboard has its bridges glued in place and is sitting on the case waiting for a day of appropriate humidity to fix it in place in the case.



StringingStringing here is almost complete. The instrument is all strung in brass. The keyboard is all finished and installed. The nameboard has been removed out of harms way for stringing. The case by this time has been varnished bringing out the fine yellow color of the cedar wood.

Final instrument

Here is a picture of the final result